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Suzhou:
Taohuawu
Nianhua
Workshop
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13. Hero in a Battle
n.d., but early 1950s
28.7 x 20.7 cm
Polychromatic; shuiyin on daolin paper
The title of the print is written on the red
ribbon hanging from the soldier's paper merit
flower. The children, including a girl, engage in
typical New Year's activites, holding lanterns and
setting off firecrackers. Stars, signifying the
People's Liberation Army, adorn the soldier's cap
and the flags rising from his shoulders; the latter
is a convention borrowed from Peking
opera-costuming to indicate a general's status. The
print thus tells us that now an ordinary soldier
deserves the honor granted in former times to
high-ranking officers, and he, rather than gods,
protects the children.
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14. Eternal Life
n.d., but 1950s
54 x 37 cm
Polychromatic; shuiyin on daolin paper
Printed at the bottom, left: "each print ten
fen; no one may charge more than this." Bottom,
right: "Suzhou, Taohuawu New Year's pictures
workshop." Written on the peach: "Long Live Chinese
Socialism." The peach and the storks flying above
are traditional symbols of longevity.
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15. Bumper Harvest
A pair of New Year's prints
December 1963
Yang Yunqing, artist; Xu Quanlin, engraver
Both polychromatic; shuiyin on daolin paper
The Commune Has Great Strength
45.8 x 25.6 cm
Printed on the bottom margin: "price, twelve
fen. Suzhou, Tao Huawu Woodcut New Year's Print."
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Celebrate an Abundant Harvest
Year after Year
45.5 x 25.8 cm
Printed on the bottom margin: "December 1963,
first printing."
The traditional magpie (symbol of joy) and the
New Year's Lion Dance (to encourage rain) are shown
on both prints. Cotton (the major industrial crop)
and grains (the basis of the Chinese diet) are the
harvest. The title of each print is written on a
banner; the one on the right is a modern
innovation, and the one on the left, a traditional
New Year's print invocation. On each of the prints
is a Chinese character that appears to be hung from
a red ribbon. Together they read, "Bumper Harvest."
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16.A pair of New Year's prints
1964
Yang Yunqing, artist; Xu Quanlin and Zhao
Meigen, engravers
Both polychromatic shuiyin on daolin paper
(newsprint)
Chinese Daughters Have High Aspirations
52 x 32 cm
Printed at the bottom: "Suzhou city, Tao Huawu
Woodcut New Year's Print; August 1964."
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They'd Rather Wear Weapons
Than Pretty Clothes
52 x 32.8 cm
Printed at the bottom: "Suzhou city, Tao Huawu
Woodcut New Year's Print."
The titles of the pictures, written in
semi-circles above rising red suns, are lines from
a poem by Mao Zedong called "Militia Women:
Inscription on a Photograph (1961)." The sun is a
symbol of Communism as personified by Mao Zedong.
Armed women demonstrate the change in female roles
brought about by the new society. The motto on the
kite held by the seated woman on the right says,
"we surely will liberate Taiwan Island." The motto
on the kite held by the seated woman in the left
print says, "down with American Imperialism!"
The pattern of the waves and rocks in the
pictures recalls the design at the lower edge of
robes worn by officials when they attended court
during the Qing Dynasty. In imperial times it
symbolized the emperor's role as mediator between
heaven and earth. Here, in the Communist context,
waves and rocks represent the multitude of China's
people and their homeland.
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17. Meeting the "Spring Ox"
1965
35 x 53.3 cm
Polychromatic; shuiyin on daolin paper
Hai Fuding, artist
Printed on the bottom margin: "Suzhou, Tao Huawu
Woodcut New Year's Print; price, ten fen.
A tractor, called "iron ox" in Chinese and
symbolizing modern mechanical aids to labor, is
shown covered in pink ribbons which have been
draped to create the character "Spring." The
celebrants carry cotton, rice, and fish and are
surrounded by banners bearing the slogans,
"consolidate the collective economy" and "develop
agricultural production."
The Spring Ox ceremony had been performed in
imperial China during the New Year's Festival,
which fell at the beginning of spring. A
papier-mache ox was beaten, and this was thought to
bring on good harvests. The message of the print is
that Socialism has brought modernization and is
thus superior to the old, superstitious ways.
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