From 1934 to 1937 Wang studied
at the Shanghai College of Fine Arts. After the outbreak of
war with Japan, he joined, in 1938, the
All-China
Association of Anti-Enemy
Woodcutters, in Wuhan, and
produced propaganda art for the Third Department of the
Political Ministry, under the direction of
Guo
Moruo. Later in the year he went
to
Yan'an,
where he attended the
Lu
Xun Academy of Literature and
Arts before continuing on to
Chongqing
to work as a teacher and editor, again under the auspices of
Guo
Moruo. He was also a member of
the Literary and Cultural Committee of Chongqing. After the
war with Japan ended, in 1945, he went to Hong Kong, where
he participated in the Society for Pictures of the Human
World. In 1949 Wang became director of fine arts at the
Shanghai Xing Zhe Art College but was transferred the same
year to the
Central
Academy of Fine Arts. In
Beijing, in addition to teaching and creating art, he has
been chief editor of the important journals
Meishu (Art)
and Ban Hua
(Prints). Wang Qi has also published
many articles and books on the history, theory, techniques
and aesthetics of both Chinese and foreign art. His numerous
honorary and official posts have included that of chairman
and general secretary of the Chinese Printmakers'Association
and permanent vice-chairman and Party secretary of the
Chinese
Artists' Association.
Wang Qi has kindly contributed his
calligraphy to this catalogue, writing the name of the
exhibition in his fine, distinctive style