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Shandong
Province
Yangjiabu
Nianhua
Workshop
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2. The Children Are
Playing
1950
25 x 34 cm
Polychromatic; shuiyin on daolin paper
Feng Zhen (b. 1931, Guangdong, Gaungzhou),
artist
A group of children "struggle against" two other
children, one of whom is dressed as a "foreign
capitalist" and carries an airplane in his hand.
The name Jiang Jieshi (Chiang Kai-shek) is written
on the placard dangling from the neck of another
child, who wears a death mask and represents a
"feudal landlord." Two children wear the green
uniforms of the Peoples Liberation Army, and a
third carries the red-tassled spear used by the
peasant militia. Both boys and girls take part in
the action.
The title The Children Are Playing is engraved
in the plate, but in an article called "New Year's
Pictures--A People's Art," of 1950, the cartoonist
and art cadre Cai Ruohong calls the print "Knock
Down Chiang Kai-shek" and comments: "Even the
children understand Chiang's treacherous
relationship with U.S. Imperialism, as revealed by
their games." A popular slogan in the first years
after the founding of the Peoples' Republic of
China was, "we have overthrown three, huge,
oppressive mountains--imperialism, feudalism, and
capitalism--and we stand up as masters."
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3. The Family of the Glorious
One
n.d., but early 1950s
22 x 32 cm
Polychromatic; shuiyin on daolin paper
On the right, villagers bring a wheelbarrow
filled with presents to a soldier's family, whose
members wear red paper flowers signifying their
merit. The large red banner, above, extols "the
family of the glorious one." The small banner on
the cart proclaims, "support the army and give
preferential treatment to the families of
soldiers." Written at the upper edge of the print
is a poem: Every glorious flower is red./Your
children are heroes/They contribute great
achievements serving our country/You, the parents,
are also glorious.
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4. Welcoming the Great
Construction of the Motherland
1953
34 x 50 cm
Polychromatic; shuiyin on daolin paper
Villagers perform the traditional North China
New Year's dances, yangge and Lion Plays with the
Embroidered Ball. A dancer carrying a ball precedes
the lion, while other dancers carry banners with
the slogans (right) "develop production" and (left)
"celebrate a good harvest."
In the 1940s and early 1950s, the traditional
yangge folk dance (which included elements of
drama) was revived by soldiers from the People's
Libertion Army. New words, conveying Communist
content, were put to the old musical accompaniment,
and the dances were performed in hundreds of towns
and villages, particularly in celebration of the
army's entrance into an area newly won from the
Guomindang.
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5. Celebrate the New Year
n.d., but early 1950s
23 x 32 cm
Polychromatic; shuiyin on daolin paper
The family celebrates with feasting and music.
Written at the upper edge of the print is a poem in
a popular rhyming style that reads, "Celebrate the
New Year, celebrate the New Year, this will be a
year of abundance, every family will have more than
enough [to eat], everyone will have new clothes,
everyone old and young, men and women and children,
be happy and welcome a more abundant year." Pasted
on the wall behind the table are couplets that
read, "union gives strength" and "helping each
other brings greater rewards." A shock of corn
hangs from the wall, demonstrating the plentitude
of food.
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6. Water Reservoir
1959
35 x 58.5 cm
Polychromatic; shuiyin on Chinese paper
Shi Banghua, artist; Wang Taiping, engraver
All traditional symbols of happiness and plenty,
fat boys ride giant carp among lotus plants. "Water
Reservoir" is written on the pavilion cresting the
dam which, together with the electric pylons,
convey the message that socialism has brought about
these improvements.
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